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A
VICIOUS CIRCLE 1996
This
is the story behind the novel.
In
1991, shortly after the paperback publication of A Private
Place, I was signed up by Hamish Hamilton (an imprint
of Penguin), to write my third novel, A Vicious Circle.
The idea for it had been gestating for three years,
ever since I read Balzac's 'Lost Illusions' while working
on a national newspaper. I had been astonished by how
resonant its description of Lucien's rise and fall in
the corrupt world of journalism still was.
The
other big influences on the novel are Dickens's Bleak
House and Trollope's The Way We Live Now. The early
1990s were a time of deep recession in the UK, when
the greed and wealth of Mrs. Thatcher's Britain collapsed.
Even so, I was fascinated by the way poor people had
simply disappeared from the consciousness and the conscience
of the middle classes, especially in fiction. There
were many parallels with our world and that of the Victorian
era. Even our cars moved no faster than the carriage
which carried Becky Sharp and Amelia from Hackney in
'Vanity Fair' - and instead of coal pollution, we had
carbon monoxide. I wanted to examine Mrs. Thatcher's
infamous dictum that "there's no such thing as
society", and show how we are all linked, just
as the characters in 'Bleak House' are. I also wanted
to revive the stock characters of the Victorian novel
- the good doctor, the spoilt young woman, the beggar,
the rise and fall of ambition. They seemed to me to
be interesting archetypes, still recognisable in the
world of modern London.
Originally,
Amelia was conceived of as a villainess, as an inversion
of the Amelia in 'Vanity Fair', with Mary as a gentler
Becky Sharp. However, as a result of what I underwent
when having my own two children, Amelia changed considerably.
I had never read a description of what it really feels
like to be pregnant, nor the moral changes that take
place on giving birth. My own entry into reviewing,
unlike that of Mary Quinn happened at the same time,
largely because my morning sickness made me unable to
move. But I had, like Adam, some experience of being
on the receiving end of criticism.
It
took me almost four years to write, and for that period
I earned so little that the tax man actually paid me
back. I didn't go out to book launches, and still largely
avoid them. Perhaps this explains why it never occurred
to me that my new novel would excite any particular
interest on publication.
Greatly to my surprise, however, the original proofs
did receive a libel threat from a former boyfriend,
now Literary Editor of the Evening Standard, and Penguin
decided to cancel publication. It took the libel expert,
David Hooper of Biddle & Co (whom I then employed
after contacting the Society of Authors) very little
time to suggest a way to avoid any resemblance to a
character that, as my editor at Penguin had said, "nobody
but a lunatic would want to claim as himself."
The ensuing publicity, though scarcely what I wanted
for a serious satirical novel, ensured that several
other publishers became interested in buying the novel.
The auction, conducted by my agent Giles Gordon, was
won by 4th Estate, who published the novel in December
1996.
A
Vicious Circle is published as Spitze Federn in Germany
by List Verlag. It is currently being developed by Sharon
Maguire, director of the film of Bridget Jones's Diary.
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